Bodies, details, obsessions.
These books are born as a physical extension of our visual work: photographic sequences designed to be leafed through, not consumed.
Each title is a fragment of our erotic and artistic imagination.
These books are born as a physical extension of our visual work: photographic sequences designed to be leafed through, not consumed.
Each title is a fragment of our erotic and artistic imagination.
Project size: Small square, 18×18 cm
Number of pages: 46
Number of pages: 46
The book is entirely dedicated to her ass, photographed in domestic settings and open spaces, between everyday interiors and seaside landscapes.
Serial grids and full-page images construct a rhythm that oscillates between archive and icon, between repetition and suspension.
The body is not exhibition, but presence: a form observed over time.
Serial grids and full-page images construct a rhythm that oscillates between archive and icon, between repetition and suspension.
The body is not exhibition, but presence: a form observed over time.
The book XXX / CUMSHOT gathers images of real cumshots on her body — chest, back, feet, face — observed as traces, matter, and gesture. The body becomes a surface of passage, a site of deposit, a temporary space.
Serial grids and full-page images create a rhythm oscillating between accumulation and pause. XXX / CUMSHOT does not stage the act itself, but what remains: the mark, the matter, the moment immediately after.
Shared sexuality is part of our life and our practice.
We photograph to inhabit what happens: time, bodies, light, relationships.
Red light is not an aesthetic filter, but a condition.
It suspends recognition and allows sensation to emerge.
Color accompanies the subject, absorbs it, alters it, rewrites it.
We photograph to inhabit what happens: time, bodies, light, relationships.
Red light is not an aesthetic filter, but a condition.
It suspends recognition and allows sensation to emerge.
Color accompanies the subject, absorbs it, alters it, rewrites it.